Elim Chan: She is a world-renowned conductor, recently returned to her hometown, Hong Kong, basking in the success of a remarkable summer. This 38-year-old maestro, known for her dynamic and commanding stage presence, conducted three high-profile concerts in 2024: the Los Angeles Philharmonic at the Hollywood Bowl, the First Night of the Proms in London, and the Royal Scottish National Orchestra at the Edinburgh International Festival. Critics worldwide have been in awe of her artistry and unique conducting style.
A Stellar Summer of Success:
Critics and audiences alike were mesmerized by Chan’s performances. The Guardian praised her mastery at the Royal Albert Hall, describing her gestures as “superlative” and “mesmerizing.” The Los Angeles Times noted her brilliance within the first 10 seconds of the Hollywood Bowl concert, sparking speculation that she could succeed Gustavo Dudamel as music director of the LA Philharmonic.
Despite her youthful appearance, Chan has been a professional conductor for over a decade. She gained international recognition in 2014 when she became the first woman to win the prestigious Donatella Flick conducting competition. Since then, she has held key positions, including principal guest conductor of the Royal Scottish National Orchestra and principal conductor of the Antwerp Symphony Orchestra until May 2024.
Elim Chan’s Returning Home to Hong Kong:
In November, Chan made her first appearance in Hong Kong since 2020, conducting four concerts with the Hong Kong Philharmonic Orchestra (HK Phil). Her return was met with mixed anticipation due to her outspoken comments about Hong Kong’s political climate. Speaking to the British press earlier, she had criticized the erosion of freedom of speech in Hong Kong, a statement that sparked controversy and halted invitations to mainland China.
Chan shared her challenges as a conductor in Hong Kong. “The expectations at home are always different. Your own people are the most critical,” she said. Despite initial resistance from some players, her performances won accolades, and even her detractors admired her growth over the years.
Weather Woes and Stunning Performances:
One of Chan’s scheduled performances, the “Symphony Under the Stars” on November 16, was disrupted by heavy rain. Yet, the second night proved to be a resounding success. Chan’s performance of Prokofiev’s Symphony No. 5 was described by critics as “life-affirming,” with her baton-free gestures likened to those of a magician casting spells.
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Her father, attending the concert, humorously suggested she use a baton for a more professional appearance. Taking his advice, Chan conducted the next performance with a baton, a move appreciated by the audience and musicians alike.
Elim Chan Navigating Challenges and Controversies:
Chan has faced her share of controversies, including criticism for conducting Russian music amidst the Ukraine war. She defended her choices passionately, stating, “You must understand who Shostakovich was first!” Her deep connection to Russian music stems from her time with her mentor, Valery Gergiev, at the London Symphony Orchestra.
She has also been vocal about the evolving role of artists in a post-pandemic world. “It’s not enough to just do the art,” Chan remarked. She believes a music director’s role is to inspire, represent the city, and bring people together.
Balancing Career and Personal Life:
Chan has carefully crafted a balance between her demanding career and personal life. Married to percussionist Dominique Vleeshouwers, she limits her time on the road to three weeks, ensuring she spends quality time with her husband. “Learning to say no has been liberating,” she admitted. “Now, every yes I say is a fat yes. Every performance must have an impact.”
Elim Chan’s Love for Hong Kong:
Despite her global fame, Hong Kong holds a special place in Chan’s heart. Reflecting on her visit, she shared, “Many things have changed, but the spirit of Hong Kong remains. I’d love to come back. This city will always be a part of me.”
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